Video: Ka - Off the Record


I'm sure this video resonates with those that received their introduction to quintessential nineties rap through vinyl records and tape decks. My first rap album was Puff Daddy's No Way Out, on CD (fml), and it's a shame to Read more

Marmalakes - Dolores


I was in bed reading the The Movie Goer by Walker Percy the other night when "Dolores" came up on a recent playlist I made. I had to put down the American classic and listen a little closer to Chase Weinacht's Read more

Toony TuneS & Captn Dan - Popadock


Wordplay Saturday. You might be out in the sun, swimming or riding your bicycle, but I'm the house listening to rappers Toony Tunes and Captn Dan. I don't know where they came from, Earmilk.com put them in my ears, Read more

» Portland

Unknown Mortal Orchestra – Secret Xtians

On by Alex Mitchell In Music | comment  

umo

I thought I was listening to the opening of an Elliott Smith song. Then I thought, is this some indie Beatles cover I mindlessly grabbed off Hype Machine? No. Unknown Mortal Orchestra. From Portland. Holler.

Most of the time I’m listening to “Secret Xtians” I’m wishing it wasn’t on the verge of ending. So I hit the repeat button and practice various forms of shavasanah poses on my couch while it replays continuously.

All I can really make out of “Secret Xtians” is that Secret Christians are all the same, and that they probably are not too bright. Which doesn’t really make any sense because how do you even know if they are SECRET? So, yeah, food for your discussions on Christianity.

         

Dark Horses – Traps

On by Alex Mitchell In New & Fresh | comment  

LisaElle-floor-Dark-Horses-Garage-studio's-Brighton-WIZ

Dark Horses are cultish rock noir at its lowest-fi. Actually, their production is pretty solid, and the druggy brit-trash vibe only seems partially contrived.

I imagine listening to “Traps” at a Portland bar in the early 90s, on my dad’s shoulders with his leather jacket draped over the both of us. A distinct lack of color and moist concrete.

So many ponytails.


Portugal. The Man: “Head is a Flame” & “Sleep Forever”

On by Alex Mitchell In Music | comment  

You know when you miss something and then discover it a year and a half later? Getting a little older in this day and age. Dealing with it.

 

Interview: Rare Monk

On by Alex Mitchell In INTERVIEW$, Music | 1

 

Welcome to Rare Monk, the experimental indie rock band out of Portland, Oregon. They just dropped their third collection in October – a three track EP titled Death by Proxy - and are currently touring the west coast. They play at the Silverlake Lounge in Los Angeles tonight at 9:00pm. So be there.

I had a chance to meet up with the band today in Echo Park to ask them a few questions about their music, experiences as young musicians on tour, and the daily balance between working and holding a strong commitment to Rare Monk – the Rarest, funkiest Monk of them all.

Listen to the Rare Monk Death by Proxy EP after the interview and download it HERE.

First, what does “Death by Proxy” mean?

Who do you want to sound more like, and less like? Have you been compared to any bands?

I mean, the biggest comparisons we draw on are bands like Modest Mouse and Phoenix, but we are really not trying to sound like anybody. Kind of cliché thing to say but it’s true. We are trying to do our own thing without getting caught up in what the “popular” sound is like today. That being said, there are a ton of bands that we love, but I think at this point in our careers, we aren’t trying to have that greatly influence the music we’re creating.

I’m curious about women, or men, who have come on to you strongly at or after shows. Do you ever look out into the audience while playing and think to yourself, “that girl right there wants me real bad.” And then with soaring eagle confidence you bring the house down with a beautiful solo while staring into her eyes. 

It’s funny I feel like we are sometimes more of a musician’s band, meaning I feel like people pop musical boners for us more than anything else. Times are changing as the sex icon rockstar thing is being replaced by computer wielding DJ’s.

What’s the worst thing that’s happened to you guys on tour? Broken down van? Broken instruments? Has anyone ever been like fuck it lets go home I hate Valencia? Then everyone has to rally that one guy and be like man c’mon we’re a team!

We’ve had several van breakdowns that were pretty shitty. We broke down in the middle of nowhere Texas in 115 degree heat last summer, without any cell service or passerbys. Luckily, we had just overheated and had a gallon water jug in the car, so after an hour or so we were ready to go. Isaac was playing some spaghetti western type of soundtrack as tumbleweeds went by our feet… it was surreally fucked.

What’s the best show you’ve ever played? What about it was good? Fans? Performance? Combination of many factors?

One of the best shows we ever played didn’t necessarily have the biggest crowd, but it had all of the best treatment, sound, and professional aspects. We played at this place called Wonder Ballroom in Portland and we had our own dressing room, stocked with beer, food, multiple couches, the whole nine yards. And for a band that is used to playing small clubs without any green room or backstage area, having those factors was pretty rad. We even had to walk down a long hallway and make sure not to get lost on the way to the stage. On top of that, the stage sound was incredible and the whole sound crew took care to make sure our shit was tight. If we could have treatment like that every night on the road, I couldn’t imagine ever wanting to stop.

What are your jobs away from music? How hard is it to be committed to a band and still have to put in hours at another job to pay your rent? At what point can you all quit and just be rockstars?  Who’s got the best job and who has the worst out of you guys?

Let’s see: Isaac works with troubled teens, Jake works at a tennis shop, Dorian works at a music shop, Rick works at a taco cart, and Forest works for a music licensing company. It’s really hard to organize practice/performance schedules around jobs because everyone has different work schedules. We usually end up practicing till like 2-3am during the week because it’s the only time we can all get together. We would all quit our jobs as soon as we had enough money/resources to stay on the road most of the year. The worst job two years running is going to have to go to Rick, dog groomer and taco stand, but I would say that Forest has the best because he works somewhere that treats him well and understands a musicians schedule/lifestyle.

I feel rappers have warped my image of what being in the studio is like. From what I can discern from reality tv, there’s a lot less weed and Dre Beats than I expected. What is it like to work in a studio when you only have a set amount of time? Is it stressful? Do you even go in at the same time? Is it harder to play your separate parts and put them all together than recording as a group?

The studio experience is always different. We’ve recorded in bedrooms, bathrooms, closets, all kinds of crazy shit, which usually involved a lot more said weed and beverages, but this time around we went into a much better studio environment. We’ve been in the studio for three months, getting in whenever we have the time. The majority of the recording was done in about two weeks, but now we’ve been mixing for the last month or two making sure everything is to our liking. The producer we are working with, Skyler Norwood, is an amazing engineer and all around cool dude, so he’s made the studio experience amazing. Working with good people makes things much less stressful and in the case of Skyler he’s able to get really good takes out of us because of the studio environment. We lay down initial tracking with all of us playing at the same time, then we start overdubbing and laying down individual parts. Then, we grab the drum and bass takes from the live recording, capturing the right “feel” of the song, making it much easier to put everybody else’s part into the mix with similar feel and intensity.

Last one – You guys are sponsored by Ninkasi. I saw like 14 empty boxes in your house on 30th. If you could have another sponsor, (besides God, and Google, same thing?) who would it be, and why?

Having a beer sponsor is pretty sweet, it’s like one of the best things a band could be sponsored by, but if we could have another sponsor having like a hotel, gas or food sponsor would be amazing. Being on the road can be shitty when you have to cover all these expenses, so morally as much as we would hate to be sponsored by Chevron or something, not paying 100 dollars every 4-5 hours on the road to fill up our gas guzzling van would keep us on the road much longer. We might even be able to make some money on the road! But probably not…

Trails and Ways – “Mtn Tune”

On by Alex Mitchell In .MP3, New & Fresh | comment  

Daang. It’s been a cool second. Back in LA after a long trip to Portland. As I was driving home from work for 40 minutes on the 10 last night I was like, daang, I wanna stay in P-Town forever. And now I’m like, daaaammn, I still feel that way. Just wanna cuddle in a pile of thrift store panties and be socially obligated to compost food scraps. Oh well, I guess there’s this song to bring me up. Thanks guys.

Caws Pobi – “Haircut”

On by Kristina Wilson In .MP3, New & Fresh | comment  

Hacking off my tresses into an edgy work of art-fuckery is a consideration firmly set in fantasy.  Yet, in less than 4 minutes, Portland artist Caws Pobi nudges me into believing I really should take that plunge into stylish self-reinvention.  He coolly asserts, “You get a haircut; I get excited,” while serving up a wealth of praise for bold coiffures in a manner that will leave you wishing your early adulthood was spent in the late 70s, existing on a fashionably lean diet of synthesizers and Modern art. Or, Portland sans time travel.